OSCAR HISTORY: Best Musical or Comedy Score
In the first early years of the Academy, the Original Score Oscar was split into two, first just to honor musicals, since musicals were so popular in the 1930s and 1940s. It was then discontinued for several years until the Disney resurgence of the late 1980s and early 1990s, when they were winning the Original Score Oscar all the time. That separate Oscar would only last for four years though, before they became one Oscar again to the present day.
1998: Stephen Warbeck for SHAKESPEARE IN LOVE
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1997: Anne Dudley for THE FULL MONTY
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1996: Rachel Portman for EMMA
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1995: Alan Menken and Stephen Schwartz for POCAHONTAS
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1961: Saul Chaplin, Johnny Green, Irwin Kostal, and Sid Ramin for WEST SIDE STORY
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1960: Morris Stoloff and Harry Sukman for SONG WITHOUT END (THE STORY OF FRANZ LISZT)
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1959: Ken Darby and Andre Previn for PORGY AND BESS
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1958: Andre Previn for GIGI
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1956: Ken Darby and Alfred Newman for THE KING AND I
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1955: Robert Russell Bennett, Jay Blackton, and Adolph Deutsch for OKLAHOMA!
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1954: Saul Chaplin and Adolph Deutsch for SEVEN BRIDES FOR SEVEN BROTHERS
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1953: Alfred Newman for CALL ME MADAM
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1952: Alfred Newman for WITH A SONG IN MY HEART
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1951: Saul Chaplin and Johnny Green for AN AMERICAN IN PARIS
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1950: Adolph Deutsch and Roger Edens for ANNIE GET YOUR GUN
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1949: Roger Edens and Lennie Hayton for ON THE TOWN
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1948: Roger Edens and Johnny Green for EASTER PARADE
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1947: Alfred Newman for MOTHER WORE TIGHTS
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1946: Morris Stoloff for THE JOLSON STORY
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1945: Georgie Stoll for ANCHORS AWEIGH
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1944: Carmen Dragon and Morris Stoloff for COVER GIRL
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1943: Ray Heindorf for THIS IS THE ARMY
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1942: Ray Heindorf and Heinz Roemheld for YANKEE DOODLE DANDY
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1941: Frank Churchill and Oliver Wallace for DUMBO
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